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ROBERT N. SANDBERG
EDUCATION
MFA, Yale School of Drama, New Haven, CT (1977)
Major: Playwriting
MAT, Wesleyan University, Middletown, CT (1973)Major: Urban Education/Social Studies
AB, Princeton University, Princeton, NJ (1970)Major: History
Certificates of Specialization in American Civilization and Afro-American Studies
EXPERIENCE
Practicing Playwright, Dramaturg and Director (1972 - Present)
Have been commissioned to write projects for, among others, the American Repertory Theatre, Empty Space Theatre, George Street Playhouse, Idaho Shakespeare Festival, Mark Taper Forum, McCarter Theater, Metro Theater Company, Seattle Children's Theatre, Seattle Repertory Theatre. Over two dozen of my plays have been presented professionally in over fifty different productions.
Have directed over two dozen productions ranging from Euripides to Brecht to contemporary premieres.
Princeton University, Princeton, NJ (1995 - Present)
Lecturer, Lewis Center for the Arts, Program in Theater and Dance and Department of English
Teach playwriting, acting, Shakespeare and other theater/dramatic literature courses.
Coordinator, Program V (Drama), English Department (2003-2004, 2007)
(Acting) Director, Program in Theater and Dance (Spring 2004)
Associate Editor, TYA Today, ASSITEJ/USA, Nashville, TN (2004 – 2005)
Cornish College of the Arts, Seattle, WA (1978 - 1995)
Chair, Theater Department, and Director, Professional Acting Conservatory (1987 - 1995) Directly administered all aspects of the department including budget, curriculum, hiring, recruitment, artistic direction, alumni and Board of Trustees relations.
Cornish College of the Arts, Seattle, WA (1978 - 1995)
Faculty, Theater Department (1978 - 1995)
Taught courses in playwriting, directing, text analysis/modern drama, classical drama and individual classes in acting, improvisation, group created original work, theater history. Directed plays and operas. Served as Studio Season artistic director/producer.
Dramaturg, Seattle Children's Theatre (1991 - 1994)Dramaturged new scripts by Len Jenkin, Y York, Jon Klein, Ed Shockley, Ted Sod, Chad Henry and E. Kennedy Walker
Intern, Seattle Repertory Theatre (1977)
Assistant to Garland Wright, Cat on a Hot Tin Roof
Assistant to John Going, The Showoff
Guest Lecturer, English Department, Yale University (1976)Lectured on Brecht and Beckett.
Producer, Playwrights Projects, Yale School of Drama (1975-6)
Conceptualized, organized and brought to fruition a series of productions of new plays by my fellow student playwrights, including works by Wendy Wasserstein, Ted Tally, Dick D. Zigun, Lewis Black, Ed Gold and Tom Lantern. The School of Drama then made these productions a formal part of the program.
Script Reader, Yale Repertory Theatre (1973-1976)
Theatre Critic, Elm City Chronicle, New Haven (1974), Yale Graduate-Professional (1973)
SELECTED PLAYS
THE JUDGEMENT OF BETT (2007-2008)
New Voices/New Visions, Kennedy Center, Washington, DC, 2008 (staged reading)
in cooperation with American Repertory Theatre & Discovering Justice (MA)
American Repertory Theatre & Discovering Justice, tentatively scheduled for 2009-2010 season
WHAT CAN’T BE SEEN (2007-2008)
Provincetown Playhouse (NYC), 2008 (staged reading)
IRL (in real life) (2007-2008)
George Street Playhouse, (NJ) 2008 (staged reading)
George Street Playhouse, 2008-2009 touring season
THE TRIALS OF THE MASSACHUSETTS SERVANTS (2006)
Winner of the Discovering Justice Through A.R.T. Playwriting Contest
American Repertory Theatre, reading, 2007
A LITTLE PRINCESS (2006) (One Act Version of SARA CREWE, Produced by Seattle Children’s Theatre)
Published by Dramatic Publishing Company, 2007
School productions in NJ, Canada, and the UK, 2008
BLACK, WHITE AND BLUE (2005)
THE BODY OF CHRISTOPHER CREED (2005)
Chicago Theatre for Young Audiences, 2006 (staged reading)
AATE Conference, 2006 (selection read)
First Stage Milwaukee, 2009
CAN’T BELIEVE IT (2003, 2005)
Published by Dramatic Publishing Company, 2009
McCarter Theatre (NJ), in-house reading, 2002
Bonderman National Playwriting for Youth Workshop at Indiana Repertory Theatre, 2005
Margaretville Central School (NY), 2006 (selections)
Elwood Community High School (IN), 2006
Castle High School (IN), 2006
Open Eye Theatre (NY), 2007
Laguna Playhouse (CA), 2008
“Good-bye Dolly” (2003)
La Mama (NY), 2003
TADA (NY), 2004
92nd St Y Makor/Steinhardt Center, 2004 (staged reading)
NY Musical Theatre Festival, 2004
THE ODYSSEY (2003)
Provincetown Playhouse (NY) staged reading, 2003
Tales and Scales (IN) National tours, 2003-2005
“Amor es un Tren” (2003)
52nd Street Project (NYC), 2003
A CHILD’S CHRISTMAS IN NEW JERSEY (2002, 2003)
Passage Theatre Company (Trenton), selections, 2002; full show, 2003
MARTINA: LOST AND FOUND (Originally FRANKENSTEIN’S CHILDREN) (2001)
Published by Dramatic Publishing, 2007
Metro Theatre Company (St. Louis), 2001-2, 2002-3, 2003-4
Kennedy Center, AATE Conference, Unpublished Play Reading Project, 2006 (staged reading selection)
School production in HI, 2008
“Carol and Chuckie D” (2001)
Passage Theatre Company, 2001, 2002
Philadelphia Dramatists Center, 2002
DONE (2000, 2001, 2002)
52nd Street Project (NY), reading, 2000
Arts Incubator Project (NJ), staged reading, 2000
Abingdon Theatre Company (NY), staged reading, 2001
Hedgerow Theater (PA), working rehearsal, 2001
Cornish College of the Arts (WA), workshop production, 2001
12 Miles West (NJ), staged reading, 2002
The Barrow Group (NY), staged reading, 2002
Kitchen Dog Theater (Dallas), staged reading, 2002
Providence Black Repertory Company (RI), staged reading, 2006
Here Arts Center (NY), selections, 2006
Providence Black Repertory Company (RI), 2007
“Nutcracker” (2000)
Passage Theatre Company, 2000, 2002
PLAY/FIGHT (1999)
IN BETWEEN (1999)
Published by Playscripts, 2006
Scene published in Smith & Kraus’ Best Stage Scenes 2006
George Street Playhouse (NJ), 1999-2009
Seattle Public Theatre, 2000
Stages Repertory Theatre (Houston), 2000, 2002
Open Door Theater (WA), 2002-2003
School productions in CO, FL, TX, VA, 2007-2009
CONVIVENCIA (1998, 2003)
Princeton University, staged reading, 1998
Seattle Children's Theatre, in-house reading, 1998
Borderlands Theater (AZ), staged reading, 2004
SARA CREWE (1994)
Published by Dramatic Publishing
Seattle Children's Theatre, 1994
Yoma Actors Theatre (FL), 1997
Thorn Apple Arts Council (WI), 1999
Drama Studio (MA), 2000
All Children’s Theater (RI), 2000
Princeton University, 2002
Sunbit Theatre Arts (Ontario, Canada), 2003
Prime Stage Theatre (PA), 2005
School productions in CA, IA, ID, IN, MI, NC, OH, OK, TX, WA, WI, NE, Ottawa, 1997-07
ROBINSWOOD (1993)
Snoqualmie Falls Forest Theatre (WA), 1993
STOP IT NOW (1992)
Open Door Theatre (WA), 1992-2008. Hundreds of performances in Washington, Pennsylvania, Maryland, Kentucky, Oklahoma, Texas, Panama, Korea.
TALK ABOUT STUFF (1992)
Open Door Theatre (WA), 1992-2008. Hundreds of performances in Washington, Pennsylvania, Maryland, Kentucky, Oklahoma, Texas, Panama, Korea.
JARPTEETZA/THE FIREBIRD (1991)
Published by Playscripts
Seattle Children's Theatre, 1991. Co-production with Novosibirsk State Children's Theatre, Russia.
Olympic College (WA), 1995
Oxford University (England), 2003
School productions in OH, MI, VA, AR, MA, 2003-08
ANNE OF GREEN GABLES (1991)
Published by Anchorage Press
Seattle Children's Theatre, 1991
Hartford Children's Theatre, 1992
Dallas Children's Theatre, 1993
Stage One: Louisville's Children's Theatre, 1993
Laguna Playhouse (CA), 1994, 2007
Nashville Children’s Theater, 1994
Model Language Studio, Tokyo, 1995
Lacrosse Playhouse (WI), 1996
Childsplay (AZ), 1997
Theatre for Young Audiences (KS), 1997
Magik Theatre (TX), 1998
New York State Theatre Institute, 1998
Chemainus Theatre (Canada), 1999
Youngstown Playhouse (OH), 2000
North Carolina Theatre for Young People, 2000-1
Pittsburgh Playhouse, 2001
Open Eye Theater (NY), 2001
Belfast Maskers (ME), 2001
Attic Theater (WI), 2002
Barter Theater (VA), 2003-4
(And many other professional and school productions)
A WOMAN OF MEANS (1990)
Idaho Shakespeare Festival, 1990
FRANKENSTEIN (1981, 1989, 1990)
Published by Playscripts
Skid Road Theatre (WA), 1981
Intiman Theatre (WA), 1989
Pennsylvania Stage Company, staged reading, 1990
Fulton Opera House (PA), 1990
Iowa City Community Theater, 2003
Actors Scene Unseen (NC), 2004, 2005
City Theatre of Independence (MO), 2005
Dulwich Players (England), 2006
ITT Productions (Australia), 2007
And school productions in CA, CO, IL, KS, NJ, NM, NY, RI, TN, TX, UT, VA, VT, 2003-8
THE MOONSTONE (1989)
Published by Dramatic Publishing
Cornish College of the Arts, 1989
School/community productions in FL, MO, 2001-2005
OWEN (1988)
Washington State Arts Commission Tour, 1988-89
THIS LAND (1980, 1981, 1985, 1987)
Snoqualmie Falls Forest Theater (WA), 1980, 1981, 1985, 1987
EVENINGS IN, EVENINGS OUT (1976, 1986)
"Evenings Out, or The Education of the Flat Lady" (1976, 1986)
Empty Space Theatre, 1986
"Evenings In" (1976)
Yale School of Drama, 1976
The Acting Ensemble (NJ), 1979
SURVIVAL SKILLS:
"Something to Report"(1984)
Empty Space Theatre (WA), 1984
"Dance in Winter" (1983)
Empty Space Theatre (WA), 1983
LIFE SCIENCE (1982)
Empty Space Theatre (WA), staged reading, 1982
"Cares for the Future" (1982)
Ensemble Studio Theatre (NY), reading, 1982
PAND (WA), 1982
WISH LIST with Megan Dean and Steven Adamek (1981)
Seattle Junior Theatre, 1981
FLORENCE with Marjorie Nelson and Robert Egan (1981)
Seattle Repertory Theatre, staged reading, 1981
REASONABLE PASSION (1979)
Empty Space Theatre (WA), staged reading, 1979
A CASE OF COMPANY (1977, 1978)
Yale School of Drama, 1977
Empty Space Theatre (WA), staged reading, 1978
"Taking Care of the Business, or A Tic in Their Tongues" (1977)
Yale Cabaret, 1977
Skid Road Theatre (WA), 1978
THE KING AND QUEEN PLAY (1975)
The Theater and The Space (CT), reading, 1975
"The Three R's" (1975)
Yale Cabaret, 1975
"Sex Appeal" (1974)
Exit Theatre Company (CT), 1974
"The Manichaean Heresy" (1974)
Exit Theatre Company (CT), 1974
"Bicycle Built for Two" (1973, 1975)
Exit Theatre Company (CT), 1973, 1974
Yale Cabaret, 1975
TV, FILM, VIDEO
“The Light of Day” screenplay (2005)
“The Rest” (2003)
Screened at Anthology Film Archives (NY), 2003
EVERYBODY’S DOING IT, Unfinished documentary with Alice Elliot
BREAD AND SALT, screenplay (1997)
Selected for Master Screenwriting Project, Philadelphia Dramatists’ Center, 1998
BREAKING THE PRESS, screenplay (1992)
LUCKY, screenplay (1991)
Option requested by Magic Hour Films, 1993
FOOD TO DIE FOR, treatment (1991)
Commissioned by KCTS TV, Seattle, 1991
PREPARING FOR THE DRUG FREE YEARS (1987)
Produced by KING TV, Seattle, 1987. Videos used nationally to help families combat drug abuse.
"Abercrombie and Fitch" (1977, 1984)
Produced by Karen Klobucher for Seattle Public Cable Access, 1984
PUBLICATIONS
CAN’T BELIEVE IT, Play, Dramatic Publishing Company, 2009
MARTINA: LOST AND FOUND (Originally FRANKENSTEIN’S CHILDREN), Play, Dramatic Publishing Company, 2007
“A Little Princess,” One Act Play, Dramatic Publishing Company, 2007
Scene from “In Between” in Best Stage Scenes 2006, Smith and Kraus, Lyme, NH, 2007
Book Review, Dramatic Literature for Children Edited by Roger Bedard in TYA Today, ASSITEJ/USA, Nashville, TN, 2006
“In Between,” One Act Play, Playscripts, 2006
“Frankenstein,” One Act Play, Playscripts, 2005
Scene from CAN’T BELIEVE IT in Ellis, Roger (editor), New Audition Scenes and Monologs from Contemporary Playwrights, Meriwether Publishing Co., Colorado Springs, CO, 2005
Book Review, Out of Our Minds by Ken Robinson in TYA Today, ASSITEJ/USA, Nashville, TN, 2004
Scene from CONVIVENCIA in Ellis, Roger (editor), The Compleat Audition Book for Young Actors, Meriwether Publishing Co., Colorado Springs, CO, 2003
Scene from ANNE OF GREEN GABLES in Slaight, Sharrar, and Sharrar (editors), Great Scenes and Monologues for Children Age 7-14, Volume II, Smith and Kraus, Lyme, NH, 2002
THIS LAND, Full length play, in Roger Ellis (editor), New International Plays for Young Audiences, Meriwether Publishing, Colorado Springs, CO, 2002
JARPTEETZA/THE FIREBIRD, Full length play, Playscripts, 2001
FRANKENSTEIN, Full length play, Playscripts, 2001
THE MOONSTONE, Full length play, Dramatic Publishing Co., Woodstock, IL, 2000
CONVIVENCIA, Full length play, in Roger Ellis (editor), International Plays for Young Audiences, Meriwether Publishing, Colorado Springs, CO, 2000
ANNE OF GREEN GABLES, Full length play, in Seattle Children’s Theatre: Six Plays for Young Audiences, Smith and Kraus, Lyme, NH, 1997
SARA CREWE, Full length play, Dramatic Publishing Co., Woodstock, IL, 1996
ANNE OF GREEN GABLES, Full length play, Anchorage Press, New Orleans, 1995
"Adapting Literature for the Stage," Article, The Connection, Seattle, 1993
"Bicycle Built For Two" in FOUR PLAYS FROM THE EXIT THEATER CO., New Quarto Editions, 1975
"'Schlemiel' is a Delight," Review of SCHLEMIEL THE FIRST by Isaac Bashevis Singer at Yale Repertory Theatre, The Elm City Chronicle, April 18, 1974
"Production Carries the Show," Review of THE NATIONAL HEALTH by Peter Nichols at Long Wharf Theatre, The Elm City Chronicle, April 11, 1974
"Rep: One Play Too Many," Review of GEOGRAPHY OF A HORSE DREAMER by Sam Shepard and AN EVENING WITH DEAD ESSEX by Adrienne Kennedy at Yale Repertory Theatre, The Yale Graduate Professional, March 14, 1974
"'Seagull' is Season's Best," Review of THE SEAGULL by Anton Chekhov at Long Wharf Theatre, The Yale Graduate Professional, March 7, 1974
"Small Audience Hurts Play," Review of THE LAST ANALYSIS by Saul Bellow at Yale School of Drama, The Yale Graduate Professional, February 14, 1974
"'Last Serenade'-A Farce at Heart," Review of "Schubert's Last Serenade" by Julie Bovasso at Yale Cabaret, The Yale Graduate Professional, January 24, 1974
"Schubert Theatre: A Fading Bright Spot," Article, The Yale Graduate Professional, December 13, 1973
"Yale Dramat's Got Camp - And It's Just 'Delovely'!!" Review of ANYTHING GOES by Cole Porter at Yale Dramat, The Yale Graduate Professional, December 6, 1973
"Long Wharf's New Show: A Dismal Family Portrait," Review of THE WIDOWING OF MRS. HOLROYD at Long Wharf Theatre, The Yale Graduate Professional, November 30, 1973
"An Institutionalized Response," Article on the Quinnipiac College presentation of ONE FLEW OVER THE CUCKOO'S NEST by Ken Kesey at Undercliff Mental Health Center, The Yale Graduate Professional, November 23, 1973
"Cabaret Play Hits Home," Review of "Of Being Hit" by Clay Goss at Yale Cabaret, The Yale Graduate Professional, November 1, 1973
"Rep's 'Darkroom' Develops as Meaningful Production," Review of DARKROOM by David Epstein at Yale Repertory Theatre, The Yale Graduate Professional, October 25, 1973
"Solid Ibsen Work is LWT Opener," Review of THE MASTER BUILDER by Henrik Ibsen at Long Wharf Theatre, The Yale Graduate Professional, Oct. 18, 1973
COMMISSIONS
American Repertory Theatre/Discovering Justice (2007)
George Street Playhouse (2007, 1998)
Raw Impressions (2003)
52nd Street Project (2002)
Passage Theatre Company (2002, 2001, 2000)
Tales and Scales (2002)
McCarter Theater (2001)
Metro Theatre Company (2000)
Seattle Children's Theatre (1997, 1991, 1990)
Idaho Theatre for Youth (1996)
Snoqualmie Falls Forest Theatre (1993, 1980)
Open Door Theatre (1992)
KCTS TV (1991)
Idaho Shakespeare Festival (1989)
Cornish College of the Arts (1988)
Washington State Arts Commission (1987)
The Empty Space Theatre (1984, 1983, 1982, 1980, 1979)
Ensemble Studio Theatre (1983)
Seattle Repertory Theatre (1981)
Mark Taper Forum (1980)
GRANT SUPPORT FOR WORK
Geraldine R. Dodge Foundation (Carol and Chuckie D., Nutcracker)
Greater Philadelphia Cultural Alliance (Done)
Idaho Commission on the Arts Commission (A Woman of Means)
King County Arts Commission (This Land)
Meet the Composer (The Odyssey)
Missouri Arts Council (Frankenstein’s Children)
National Endowment for the Arts (Anne of Green Gables, Done, Frankenstein’s Children, Reasonable Passion,
Jarpteetza, A Woman of Means)
New Jersey Bar Foundation (In Between, IRL)
New Jersey State Council on the Arts (Carol and Chuckie D., In Between, Nutcracker)
New Jersey Committee for the Humanities (Bygone Days Plays)
PONCHO Foundation (Sara Crewe)
Seattle Arts Commission (Anne of Green Gables, Dance in Winter, Something to Report)
Theatre Communications Group (Frankenstein’s Children)
Washington State Arts Commission (Anne of Green Gables, A Case of Company, Reasonable Passion, Jarpteetza, Owen)
Washington Commission for the Humanities (Reasonable Passion)
INTERVIEWS, PANELS, READINGS
Panelist (with David Saint), Theatre Session, Ethics Symposium for Education, Mountain Lakes, NJ, 2007
Interviewer, Conversation with Kenny Leon, Princeton University, 2007
Reading from THE BODY OF CHRISTOPHER CREED, AATE, Washington, DC, 2006
Interview on FRANKENSTEIN, broadcast on line by Actors Scene Unseen (NC), 2004
Panelist, Symposium on Bullying, George Street Playhouse, 2004
Reading from CAN’T BELIEVE IT, One Theatre World, Philadelphia, 2003
Co-leader, Town Meeting, Bonderman/Indiana Repertory Theater Conference, 2001
Panelist, Pinter Symposium on OLD TIMES, George Street Playhouse, 2001
Reading from IN BETWEEN, One Theatre World, Kennedy Center (DC), 2000
Panelist, “How Artists Can Respond: A Case Study,” George Street Playhouse, 2000
Reading from CONVIVENCIA, One Theatre World, Annenberg Center (PA), 1997
Judge, Lyons Triangle Writing Award, Princeton University, 1996
Panelist, "Psychology, Art and Religion," Playwrights Theatre of New Jersey, 1996
"Childhood Confidential: From India to London," by Stephanie Coen, American Theatre, October, 1994. Interview about SARA CREWE.
Interview on The Audition Process, Dramatics, 1994
"Theater Education and Actor Training," Interview, Portland radio, 1993
Panelist, New Plays Being Produced Around the Country (ANNE OF GREEN GABLES), Professional Theatre Group, AATE Conference, Boston, 1993
Panelist, Final Evaluations, New Play Festival, Northwest Asian American Theatre, Seattle, 1992
MAN AND SUPERMAN, Post-play discussions, Intiman Theatre, Seattle, 1990
Interview, A WOMAN OF MEANS, TV, Boise, 1990
FRANKENSTEIN, Pre-play interview with Elizabeth Huddle, Intiman Theatre, Seattle, 1989
Panelist, Final Evaluations, Multi-Cultural Playwrights Festival, Seattle Group Theatre, 1988
Panelist, "The Playwright-Director Relationship," Seattle Repertory Theatre, 1984
Washington State Humanities Scholar, Empty Space New Play Presentations, Seattle, 1982
"Commentary on Great Plays," KUOW radio, Seattle, 1980-81
Interview, THIS LAND, KIRO radio, Seattle, 1980
AWARDS
Winner, Discovering Justice Through A.R.T. Playwriting Contest, THE TRIALS OF THE MASSACHUSETTS SERVANTS, 2006
Unpublished Play Reading Project (Presented), AATE, FRANKENSTEIN’S CHILDREN, 2006
Unpublished Play Reading Project (Selected), AATE, CAN’T BELIEVE IT, 2006
Finalist (Winner), Bonderman/Indiana Repertory Theatre Workshop/Symposium for CAN’T BELIEVE IT, 2005
Semi-finalist, Bonderman/Indiana Repertory Theatre Workshop/Symposium for FRANKESTEIN’S CHILDREN, 2001
Finalist, Interact Theatre Company New Play Competition, 1999
Nomination of SARA CREWE, Theatre Communications Group (TCG) Playsource, 1995
ANNE OF GREEN GABLES selected as one of the best plays of the year by ASSITEJ, the International Organizational for Youth Theatre, 1991
Nomination for A WOMAN OF MEANS to the TCG Plays in Process Series, 1991
Nomination for FRANKENSTEIN to the TCG Plays in Process Series, 1990
Seafirst Excellence in Teaching Award, Cornish College of the Arts, 1983-4
Finalist, Stanley Kramer Playwriting Contest, 1984-5
William Morris Agency Fellow, Yale School of Drama, 1975-7
WORKSHOPS
Workshop on FRANKENSTEIN, Dulwich Players, London, UK, 2005
Playwriting, Arts for Learning Summer Conference, Young Audiences/McCarter Theater, 2000
Writing for Young Audiences, Philadelphia Dramatists Center, 1999
"Action," Maryland Thespian Conference, half day workshop, 1988
"Acting Text," Maryland Thespian Conference, half day workshop, 1988
"Playwriting for Actors," New City Theatre, eight week workshop, 1984
"Creating Performance Pieces," Performing Artists for Nuclear Disarmament, year long workshop, 1983
"Acting," University of Washington Experimental College, ten week workshop, 1978
"Acting," Seattle Theater Arts, ten week workshop, 1978
"Playwriting," University of Washington Experimental College, ten week workshop, 1977
"Acting," University of Washington Experimental College, ten week workshop, 1977
"Playwriting," Seattle Theater Arts, ten week workshop, 1977
"Acting," Seattle Theater Arts, ten week workshop, 1977
"Beckett's Plays," Department of English, Yale University, guest lecture, 1976
"Brecht's Plays," Department of English, Yale University, guest lecture, 1976
REPRESENTATIVE DIRECTING CREDITS
Depression (Ensemble Created) Princeton University (2006)
“The Lost Baby” and Passage Theatre Company (2004)
“What’s in People’s Minds”
“The Chocolate Discovery” and Passage Theatre Company (1999)
“Sheila and the Wolf Find Her Brother Together”
Mixed Drinks (Ensemble Created) Princeton University (1997)
Hippolytus by Euripides Cornish Theater Department (1988)
Peril in the Pavilion by K. Beck Benefit, Seattle Rep (1987)
The Beggar's Opera by John Gay Cornish Theater Department (1987)
Treemonisha by Scott Joplin Cornish Music Department (1987)
Die Fledermaus by Johann Strauss Cornish Music Department (1985)
The Good Person of Szechwan by Brecht Cornish Theater Department (1984)
Some Disarming Evening New City Theatre (1983)
The Workroom by Jean Claude Grumberg Cornish Theater Department (1983)
Les Belles Soeurs by Michel Tremblay Cornish Theater Department (1982)
Safety Rest by E. M. Marfin Empty Space, NW Playwrights Conference (1981)
Once A Catholic by Mary O'Malley Cornish Theater Department (1980)
Easy Passions by Edward Louis Gold Seattle Arts Commission Tour (1980)
The Seagull by Anton Chekhov Cornish Theater Department (1979)
Female Transport by Steve Gooch Cornish Theater Department (1979)
Angel Street by Patrick Hamilton Red Carpet Theater (1978)
When Ya Comin Back, Red Ryder by Mark Medoff Fort Steilacom Community College (1978)
Pas de Deux by James Kuslan Yale College (1977)
Equal Rights by Dick D. Zigun Yale School of Drama (1976)
Any Woman Can't by Wendy Wasserstein Yale School of Drama (1975)
"The Postman" by Edward Louis Gold Yale College (1975)
"Screen Test" by Lewis Black Yale College (1975)
No Exit by Jean Paul Sartre Exit Theatre Company (1974)
REPRESENTATIVE DRAMATURG CREDITS
THE HARDY BOYS MYSTERY OF THE HOUSE ON THE CLIFF by Jon Klein, Seattle Children's Theatre, 1994
JACK AND THE BEANSTALK by Chad Henry and E. Kennedy Walker, Seattle Children's Theatre, 1993
AFTERNOON OF THE ELVES by Y York, Seattle Children's Theatre, 1993
THE INVISIBLE MAN by Len Jenkin, Seattle Children's Theatre, 1993
ROLL OF THUNDER, HEAR MY CRY by Ed Shockley, Seattle Children's Theatre, 1992
MAKE ME PELE FOR A DAY by Ted Sod, Seattle Children's Theatre, 1992
CHARLOTTE'S WEB, Seattle Children's Theatre, 1991
REPRESENTATIVE ACTING CREDITS
Commissioner LYSISTRATA Princeton University
Extra A BEAUTIFUL MIND A Universal Ron Howard Film
Prince of Aragon/Tubal MERCHANT OF VENICE Shakespeare '70
Dempster/Ensemble CROCODILES Yale Cabaret
Grandma THE AMERICAN DREAM Exit Theater Co.
Ensemble SEX APPEAL Exit Theater Co.
Ensemble MEETINGS The Theater and The Space
Jerry CHANGE OF PACE The Theater and The Space
Ensemble WHALES New Haven Public Circuit
Jolyon FIVE MINUTES TO MORNING Poppycock Players
Kenneth THE BAD SEED Lyric Theater